Featured Photographer – Dana Flaherty

23 November 2017 | 1 Comment
1. Tell us a bit about the image This image was taken outdoors right before sunset. I had been given the dress to photograph from a dress designer. As soon as I saw the gown I had a vision of fall colors in mind. I selected my model and wanted a girl with red hair who would really make the image “Pop” .I wanted the look of the model and the image to look almost “gothic” 2. What inspired you to take the shot? I wanted to shoot standing over her laying on the ground in order to obtain a different perspective. I didn’t want the usual standing pose but rather something different where you are looking down at her when you look at the image. I feel as the viewer looking at this photograph you can’t help but feel some kind of emotion or wonder from it. I was inspired by the model and the mood of the light which reflected on her face perfectly. 3. What gear did you use for the shot including lighting? I used a Canon Mark III and a 35mm sigma art lens for this shot. All natural light. 4. Tell us about the editing process? My editing process always starts with lightroom for minor adjustments such as WB/exposure etc. I tend to use the radial filter tool in LR which is how I achieve my dark vignettes in my images. Afterwards I take it into photoshop where I hand edit using curves and contrast followed by adjustment layers and color toning. I love dark rich colors. 5. How does this piece reflect you as an artist  I have always been attracted to obscure things whether it was writing,music, art photographs.Anything avant-garde is what makes my soul sing ❤
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Featured Photography – Khalid Batua

10 November 2017 | 0 Comments

1. Tell us a bit about the image

So this is an image of my friend Anna dressed as Wonder Woman. She wore this last Halloween. We were all surprised how she looked exactly like Gal when she posted photos of her on her wechat app moments. The resemblance is uncanny!


2. What inspired you to take the shot?

I’m a Gal Gadot fan. That’s the main reason i felt i had to capture Anna dressed as Wonder Woman in my studio. I just wanted to share on FB and INSTAGRAM what my friends and I saw and wanted to see if people would react same way as we did… Like “Noooooo Freaaaking Waaay! Anna! You’re Wonder Woman!” 🙂

3. What gear did you use for the shot including lighting?

I shot this with a SONY A7RII + a Sony 24-70 G•Master. I used 3 lights. Main light is a GODOX EXPERT portable light with a Godox umbrella + diffuser and honeycomb and 2 Godox D300 lights with gels behind her. Backdrop is grey.


4. Tell us about the editing process?

Honestly, I did a quick (messy!) processing on Photoshop. I didnt really follow the work flow that I normally do with my other photos on this photo. Because I was super excited to post it i just threw in all these textures and layers. Just wanted the photo to look as close as the original Wonder Woman posters.. atleast same feeling. 🙂 Didn’t clean the skin much since it’s not a beauty shot. 🙂 Changed the color of the red n blue gel to have that cinematic feel to it. And then added grain in the end. It was a messy work flow actually, but i guess it worked! 🙂


5. How does this piece reflect you as an artist 

My major is fine arts. I guess this piece reflects my creative and fun ART side. I don’t normally do this style of photos because I’m a fashion and beauty photographer. And so creating pics like this is fun! 🙂 I enjoy it. Just being creative but keeping it simple. But then as an artist.. i like trying different styles. So we’ll see. Gotta keep shooting and creating and sharing. 🙂

INSTAGRAM: Khalidb1982
WECHAT: Khalid300882

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Featured Photographer – Miguel Quiles

05 November 2017 | 0 Comments

1. Tell us a bit about the image
I shot this image while teaching at the Photo Plus Expo 2017 in NYC. I was showing the differences between what a photo looks like being shot at higher f-stops verses using HSS as I did in this photo.
2. What inspired you to take the shot?
The model was styled and so I simply asked her to go through a series of different looks where she would act as if the lens was confusing and intriguing her. We ended up with this.
3. What gear did you use for the shot including lighting?
Sony A9 + Sony 85mm 1.8FE F/2, 1/1600, 100 (HSS) Lit: Profoto 5ft Octa + silver reflector below for fill
4. Tell us about the editing process?
The image pretty much looked this way straight out of camera, so basic adjustments were made to correct exposure and add color toning to the shot.
5. How does this piece reflect you as an artist
It reflects my love of closely cropped, intimate portraits. It draws me in as a viewer and I always hope it does the same for others.
Check out Miguel Quiles work at
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Featured Photographer – Ruslan Bolgov

29 October 2017 | 0 Comments

1. Tell us a bit about the image
I just dont like too long to sit still without any photoshoot. So ideas for
the next ones comes pretty quick and often. So that was just one of them

2. What inspired you to take the shot?
The Halloween is approaching… Well, “Freddy Krueger” as well 🙂

3. What gear did you use for the shot including lighting?
Just one studio light (with beauty dish) and printed background.
Canon 1Dx + Canon portrait lens 85mm/F1.2

4. Tell us about the editing process?
Shortly its Lightroom basic retouch with Photoshop color grading

5. How does this piece reflect you as an artist
Some people may say this particualr portrait is pretty wicked. Yes, actually it is 🙂
Sometimes you have to go out from comfort zone and make something different.
Free Your Mind !

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Featured Photographer – Daniel Venter

22 October 2017 | 3 Comments

Q1. Tell us a bit about the image

We love to offer our clients a little something more above the clothing choice they bring along to a session. We’re aiming to style our sessions to our taste. My wife makes the dress as part of the the package


Q2. What inspired you to take the shot?.

The fall colours and of course the blue dress worked perfectly as a complementary colour scheme


Q3. What gear did you use for the shot including lighting?

I have a soft spot for the 200mm f2 Ais Nikkor so I was my go to lens for almost the entire shoot. The separation is awesome and simply creates a unique look. I shot it on a Nikon D810 and of course I like to shoot natural light with much of my work. This time of year the light is incredible


Q4. Tell us about the editing process?

I dont spend a lot of time in the post processing stages. I got rid of any green hues that were in the image using photoshop so I could simplify the colour palette in the image. I.e. I selected the greens and changed the hues to a more yellow range. There wasn’t much else other than a bit of contrast pop and altering the blue tones to get into the range I wanted. I usually import images into Lightroom and then finalize in photoshop


Q5. How does this piece reflect you as an artist 

Not sure how to answer this lol Most people can recognise my work and say it has a certain nuance. I dont know what it could be but I know it’s my style because of the DOF, framing and edit



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Featured Photographer – Per-Anders Nilsson

14 October 2017 | 1 Comment

Q1. Tell us a bit about the image
The image is A shot made as reference shot for one of my clients at the fashion workshop i hosted a couple of weeks ago in Stockholm. Will be probably be A part of an future editorial also.

Q2. What inspired you to take the shot?
For me the inspiration is as always the classics of street fashion photography and to be able to add drama into the shot with speed, selective light and Mood.

Q3. What gear did you use for the shot including lighting?
Gear used:
Canon 5DSR
70-200/2,8 IS L
Two triangular reflectors one from the side and from above 30 degress of from my left.

Q4. Tell us about the editing process?
The editing is just Classic skin Rethouch, on this was no Frequency separation used. Then A mild dodge and burn treatment and then into Alien skin were A Ilford 100 filer was added and grain and general sharpness was added.

Q5. How does this piece reflect you as an artist 
This piece has all things i need to tick my own fashion boxes. I need speed and Mood into the shot and A relative short DOF. When all that is mixed with leading lines and perfect side light and A great expressive model it is just makes people feel that they are were there and can feel what in the team felt. That is most Important in my shots, the soul of the shoot that makes you feel something. In my opinion is that lacking no one will care about your work.
Best Regards




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Featured Photographer – Sean Hepburn

05 October 2017 | 0 Comments


Q1. Tell us a bit about the image

The image was taken from month 3 through to full terms, stating in early March, with the final image taken at the end of September. Lisa (Mum) is the daughter of my partner and Lisa has named the little boy, William.


Q2.What inspired you to take the shot?

I’ve never been fortunate enough to be blessed with children and always viewed a new birth as a miracle. The changes a woman’s body go through are pretty extreme and interval images are the best way to really see what happens during the pregnancy.


Q3. What gear did you use for the shot including lighting?

The images were taken in the studio I run, Art Asylum Studio’s in Weymouth, each shot was carefully measured out and setting were consistent for each image, we even measure the positions of light, subject and camera. I used a Nikon D810 with a Sigma EX Macro Lens for Nikon F – 105mm – F/2.8, lighting came from a 1.8m x 0.3m softbox on a single 750w Bowens Gemini Studio head. Settings were f/11 – ISO64 – 1/180th and the light set to mid power. The light was also flagged, to reduce flare into the camera.


Q4. Tell us about the editing process?

Each image was cut out on the right hand side, to allow the subsequent image to slide in behind, giving the effect of a row of people. The background light faded from right to left, so some work was required to blend the tones, where the images overlapped. This was done through a mix of blur, dodge/burn, masking off important areas.


Q5. How does this piece reflect you as an artist 

This work is quite typical of the sort of project I love to get involved, lots of planning, meticulous execution all brought together in editing. Images that seem impossible are always a draw to me, the goal being to make them look as if they were just captured that way.





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Featured Photographer – Scott Robert Lim

30 September 2017 | 0 Comments


1. Tell us a bit about the image

I took the image in China in 2015 in Beijing. I just loved the the dress and because of it’s length, I had to find a way to get her higher so I could showcase all of the dress. I saw this dark industrial area and i just loved the contrast between the red and dark texture and play between, young, delicate and beautiful vs. dark, antiquated industrial.


2. What inspired you to take the shot?

My inspiration really started with the red dress and how long it was, from there I kept thinking, how can I really showcase this beautiful model and her red dress. I need something dramatic and larger than life feeling.


3. What gear did you use for the shot including lighting?

Camera Sony ILCE-7M2 Lens FE 16-35mm F4 ZA OSS ISO 125 Focal Length 19.0 mm (19.0 mm in 35mm) Aperture f/9 Exposure Time 0.01s (1/100) I used a single bare Flash, Strobie 330 that was raised high above her head to pop the red a bit, increase the contrast and sharpness.


4. Tell us about the editing process?

I wanted a “fine art” feeling, a cross between a portrait and a painting. I had to make the background very dark, but keep some highlight and shadow to give it depth. I toned it a bit by adding a blue feel to enhance the cold feeling in the background. I added the snowflake/dust texture for added depth.


Make sure to check out Scott’s Social media pages



Instagram: @scottrobertlim

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Featured Photographer – Alice Speller

20 September 2017 | 0 Comments

1.  Tell us a bit about the image.
I have been wanting to do a clown style ballerina photoshoot for a while, I have looked on Google but not found anything like this,  When I originally had the idea, Clowns where in the media for all the wrong reasons, so held off. Plus I needed to find the right dancer, not everyone is game for this look!
Finally with the release of Stephen King’s film *IT* and having a willing ballerina on hand, I was able to look into making this shoot a reality.
I informed Holly what I wanted and how I wanted her too look, I knew the alley way I wanted to shoot it in,  all I needed to do was get it shot, we planned this on the Monday, outfit ordered, arrived on the Thursday , shoot on the Friday and all over and done in 20 mins!

2. What inspired you to take the shot?
I love pushing my boundaries, I love doing images that not everyone else is doing, breaking that line between *normal* and *what the hell are you doing* The feedback from this image has been amazing, (well of course, I wouldn’t be answering these questions other wise)
People who don’t like clowns saying its captured their attention, A lady who doesn’t like face paint stopped to comment, this is what inspires me, taking images that make people talk, think and look twice, that is what inspires me & pushes me forward.

3. What gear did you use for the shot including lighting?
I keep my gear simple, canon and a couple of off camera flashes, One behind, one in front. I don’t have time or space in public to be fluffing around too much.

4. Tell us about the editing process?
The editing of this I loved,  I use ACR to make the starting adjustments, shadows, highlight’s, lifting blacks, opening in Photoshop, cleaning up the image is the main process, cropping to the ratio I want, adding back in background,  I use a lot of curve layers, hue and sat layers to bring out color as well as adding a vibrant pop to the reds, I didn’t need to do much to the face, as the MUA had done a really good job, just dodge and burn to make her stand out, a fog texture added then back into ACR for my own hand made preset to give it the final finish. And I went for the more muted background tones to really make her stand out.

5. How does this piece reflect you as an artist
I grew up reading horror novels and watching horror films, yet my life is one of bright and airy, fairies and ethereal, pretty and soft, I wanted to see if I could go to the darker side, without zombifying up a ballerina (hmmm now there’s an idea 😀 ) It shows me that I can step outside of the pretty box and produce an image that is so outside the standard and do it in a way that isn’t tacky or bad.
Most certainly will be looking into this style again.


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Featured Photography – Marcin Wajda

14 September 2017 | 0 Comments

Tell us a bit about the image?

It’s a self-portrait, me as a bloody pirate, har, har. I take lots of self-portraits, as a way of free training, and also to appease my inner narcissist I suppose.


What inspired you to take the shot?

I had a client who brought with him a shitload of props. Clothes, accessories, swords, guns, even a saddle. He got a call mid shoot and we had to end abruptly, so he asked if he can leave all this stuff. I said yes, I always say yes to free props. Then, as I still got the gear set up, I thought what the hell, let’s have us a bit of fun.


What gear did you use for the shot including lighting?

It was shot with Sony Nex-7, which was my main digital camera at the time. I don’t remember the lens though – it was either a manual 57mm 1.4 Konica, or 58mm 1.4 Minolta, I was using them alternatively and they don’t save into exif, so can’t be sure. Great lenses by the way, perfect for APSC portraiture. The lighting is three strobes – Bowens Gemini 200, barebulb, with only small PARs, and barndoors on key. This is my standard setup for male portraiture, gives more punch and drama than a softbox or beauty dish would. There’s also a reflector below, to create highlights in the eyes and metal objects.


Tell us about the editing process?

Editing was pretty straightforward and consisted mainly of pushing contrast and clarity to the max, and swapping plain background for a photo of clouds, edited to resemble smoke. Some local edits were made too – brightening of the smoke from the barrel (I dropped a burning Marlboro inside for this smoke), changing the colour of the cross from silver to gold, and other minor details.


How does this piece reflect you as an artist

Well, it’s a selfie, so it would be pretty weird to analyse how it reflects me… I guess, since this is more or less how I shoot all my male clients, it represents the urge for something more adventurous, rough, than your average portrait session. Maybe a call back to some childhood dreams? I mean, who didn’t want to be a swashbuckling adventurer back in the day. Blackbeard, or William Kidd, or maybe even Guybrush Threepwood. In a way, a shoot like this is a great way to make those dreams come true. A bit at least.


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